Diego Garro (d.garro@mus.keele.ac.uk) obtained his BSc in Electronic Engineering from Universita' di Padova (Italy). He collaborated with the Centro di Sonologia Computazionale of Padova where he developed an implementation on computerised music workstation of the live electronics in late Luigi Nono's repertoire. He moved to Britain in 1995 where he studied Electroacoustic Music with Mike Vaughan and Rajmil Fischman at Keele University. He holds a lectureship at the School of Languages, Culture and Creative Arts - Keele University - where he teaches MIDI, Studio Techniques and Electroacoustic Music. He has specialised in the acousmatic media and composes works for digital audio tape which are regularly selected and performed in various festivals and conferences in UK and abroad. He debuted in the Electroacoustic circles in 1997 when his anecdotal compositon Passaggi In-Oltre was performed at the International Computer Music Conference, Salonica, Greece. Since then his works for tape have received international recognition: Voci dall'Aldiquá (1998) was performed at ExStatic Next Wave Music Festival, Melbourne (Australia), at Rumori - Musica-Scienza Conference, Rome (Italy), at Fifth Brazilian Computer Music Symposium, Belo Horizonte (Brazil), XII Colloquium on Musical Informatics, Gorizia (Italy) and at the 21st International Study Week of Contemporary Music, Luneburg (Germany). His acousmatic work for sampled steel-string guitar "Strum" in a Teacup (1998) was selected at the Sixth Brazilian Computer Music Symposium, Rio de Janeiro (Brazil), at the Sixth Computer Music Festival, Seoul (South Korea), and presented by the Birmingham ElectroAcoustic Sound Theatre (BEAST) during the event Aural Kinetics, Birmingham (UK).