Interensemble

Esecuzione delle composizioni vincitrici del Settimo Concorso “Città di Udine”

Fabio Bacelle, flauti
Francesco Socal, clarinetti
Tommaso Luison, violino
Ivan Malaspina, violino
Luca Zanetti, viola
Giancarlo Trimboli, violoncello
Alberto Bianco, percussioni
Alessia Toffanin, pianoforte

Bernardino Beggio - Direttore

Programma:

Felipe Otondo
Ciguri
per nastro magnetico
Premio ex aequo per la sezione “Musica elettroacustica”

Nicolas Tzortzis
Four flash fear
per quartetto d’archi
Primo Premio assoluto per la sezione “Composizioni per gruppo strumentale da camera”

Giancarlo Turaccio
A_notion
per clarinetto in Sib e nastro magnetico
Menzione speciale per la sezione “Composizioni per gruppo strumentale da camera”

Konstantinos Chizaris
November drops
per flauto, clarinetto in Sib, piano, violino, violoncello

Christian Winther Christensen
From the perfect ground
per flauto/flauto alto, clarinetto Sib/clarinetto basso, violino, viola, violoncello, muted piano

Riccardo Panfili
In margine a un testo occulto
per violino, violoncello, pianoforte

Paul Robinson
A Night in the Palace of Reason
per flauto/ottavino, clarinetto basso, quartetto d'archi, piano, percussioni
Premio speciale Piero Pezzé per la sezione “Composizioni per gruppo strumentale da camera”

Paul Rudy
In lake’ch Mvts 5 and 6

Pandemic and A Shimmering Heap
per nastro magnetico
Premio ex aequo per la sezione “Musica elettroacustica”

"Among the various trends in Italian music today exists a microcosm which gathers into one entity the very widest aspects of a typology of music which is still based rigorously on research; yet theirs is a refined research, which allows the emergence of the thought as much as the person, as much as man" (Renzo Cresti).

Interensemble was created out of an independent entity of musical research that focused on the exploration of new ideas, unfettered by links with academia, ideology, or previous compositional and organizational strategies. Founded in 1983 by the Italian composer and pianist, Bernardino Beggio, the group reflected a move towards contemporary music production that had been taking place in the preceding years at the Conservatory of Padua. The validity of this approach was immediately recognized at an international level, and resulted in the group's first European tours. Not content to focus solely on contemporary sounds, Interensemble's repertoire has come to include works from many of the major musical movements of the 20th century, from Stravinsky through Cage, Stockhausen, Berio, and Donatoni; from Glass and Reich to Nyman and Piazzolla.
The group has also worked extensively in the field of electronic music and has, in fact, organized the Computer Art Festival in Padua since 1984. Interensemble has made frequent appearances on radio and television, has recorded 14 CD's for a variety of labels, and over the last two decades, has done numerous tours throughout Europe and North America.
Since it's official debut performance in Cracow, March 1983, Interensemble has traveled abroad on numerous occasions, often as guests of important organizations and festivals in France, Belgium, United Kingdom, Ireland, Germany, Poland, Finland, Greece, Spain, Portugal, Croatia, Rumania, Mexico, USA and others, often presenting works by Italian composers, especially from the Veneto region.