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18 ottobre ore 21.00 - Teatro San Giorgio - Udine

 

 

FRONTIERE DIGITALI


Pamela Hebert - soprano
Aldo Orvieto - pianoforte
Marco Pavin - chitarraProgramma:


James Dashow
Quattro scene da Archimedes
opera per planetario, suoni esafonici e video

Michele Biasutti
Tavola V
per pianoforte


Michele Biasutti
Perceptual melodies
per chitarra elettrica e live


James Dashow
Sul Filo dei Tramonti
Due liriche dalla Mont di Gian Giacomo Menon (prima nazionale)
per soprano, pianoforte e suoni elettronici


Composer and Psychologist, Michele Biasutti was awarded diplomas at the Padova Conservatory of music. A prize-winning composer (International Composer Competition L. Russolo, International Competition of Bourges, Concour International de Composition de la Societé de Musique Contemporaine du Québec, International Competition Pierre Schaeffer, ... ), his works were radio broadcast (RAI, ORF, RNE 2, Radio Bratislava, rtsi, HRT, Radio Canada) and selected for International Festivals (isea 95 in Montreal, isea 96 in Rotterdam, Soundbox in Helsinki, vi bscm in Rio de Janeiro, jim99 in Paris, vii bscm in Curitiba). His music was performed in Festivals in Europe (Music Now in Dublin, Purcell Room in London, Musica Verticale in Rome, Aspekte in Salzburg, Triduum in Klagenfurt, Society for new music in Prague, Concerts à la Villa Gillet in Lyon, Musiques d’aujourd’hui in Marseille, Neue Musik in Freiburg; Encuentros mùsica europea in Madrid,...) in North and South America (m.i.t. in Boston, smcq in Montreal, San Francisco State University, New York University, III Bienal Internacional de Música Elettroacustica in San Paulo,...), in Japan, Korea (Seul International Computer Music Festival 2003) and Australia (Interfaces, ACMC 2000 in Brisbane). He was composer in residence at the University of Massachusetts. He collaborated with International Centers for electronic music. He is active as music organizer, currently scientific director of the Computer Art Festival in Padova. He is in the jury of international competitions of composition. His music was considered in PhD thesis in the USA.
His music is recorded on Compact disc Artis-Cramps (arcd 062, Polygram distribution), Fondazione Russolo-Pratella (Ef. Er. P94), Rivo Alto (crr 2111, crr 2025, crr 9511, crr 9610, Electa and Ducale distribution), Intersound IS 01-7, Accademia Musicale Pescarese (mv001)

 


James Dashow has had commissions, awards and grants from the Bourges International Festival of Experimental Music, the Guggenheim Memorial Foundation, Linz Ars Electronica Festival, the Fromm Foundation, the Biennale di Venezia, the USA National Endowment for the Arts, RAI (Italian National Radio), the American Academy and Institute of Arts and Letters, the Rockefeller Foundation, Il Cantiere Internazionale d'Arte (Montepulciano, Italy), the Koussevitzky Foundation, Prague Musica Nova, and the Harvard Musical Association of Boston. In 2000, he was awarded the prestigious Prix Magistere at the 30th Festival International de Musique et d'Art Sonore Electroacoustiques in Bourges.
A pioneer in the field of computer music, Dashow was one of the founders of the Centro di Sonologia Computazionale at the University of Padova, where he composed the first works of computer music in Italy, and has taught at MIT, Princeton University, the Centro para la Difusion di Musica Contemporanea in Madrid and the Musica Viva Festival in Lisbon; he was invited by the Conservatorio di Musica Benedetto Marcello in Venezia to teach an intensive series of workshop/masterclasses in digital sound synthesis techniques applied in particular to compositional practices, and to various aspects of the spatialization of sound. He was composer in residence at the 12th Florida Electroacoustic Music Festival, and he continues to lecture and conduct master-classes extensively in the U.S. and Europe. Dashow served as the first vice-president of the International Computer Music Association, and was for many years the producer of the radio program "Il Forum Internazionale di Musica Contemporanea" for Italian National Radio. He has written theoretical and analytical articles for Perspectives of New Music, the Computer Music Journal, La Musica, and Interface, and is the author of the MUSIC30 language for digital sound synthesis. He was the subject of an extended interview published in the Computer Music Journal (Summer, 2003).
His music has been recorded on WERGO (Mainz), Capstone Records (New York), Neuma (Boston), RCA-BMG (Roma), ProViva (Munich), Scarlatti Classica (Roma), CRI (New York), BVHAAST (Amsterdam) and Pan (Roma).